That quote, of course, is from the estimable Big Bad Bald Bastard, Fellow hardcore libtard and martial artist, in the long-ago time when we all bloggered.
Wife Sublime likes to travel, and coordinates with the basic school schedule; before, because of Young Zombie and now because she is working on here second Master’s degree. YZ has shambled off on his own, which frees us up to go places with better food and wider range of experiences. but this fall, we went to…of all places… Nashville. I KNOW! And we did a day trip to Huntsville. I KNOW!
So what I learned about Nashville is that this is, essentially, where the music industry discovered how to be an industry, based on the radio broadcasts of country music and what became the Grand Ole Opry. This is where the pattern of sucking talent in, churning it in, making them play the songs selected by the labels, and doing it over and over again, became the pattern. Sun Records; Sam Phillips took in people like Elvis, Cash, Roy Orbison and figured out where there talents were best focused; This became what is known as A&R. Then these folk went to Nashville and cranked out hits on an assembly line at RCA Studio B.

Yeah, that’s me at Elvis’ favorite Steinway in the studio. I used to be able to play a ninth interval cuz HUGE hands, but I broke my little finger shoveling snow and now I suck.
But here’s the thing. There have been so many people for so long, coming to Nashville, and not just for country music, that this is a place that revolves around music, that exists for and because of music. Jimi Hendrix said that he learned how to really play guitar in Nashville, and the Musician’s Hall of Fame had video of him playing in a standard R&B band, but you could see him starting to play.
We spent over two hours in the Cash Museum, which is small, but man how many times can you watch him sing Hurt? Well, for me, I can always watch Johnny sing Hurt. Trent Reznor admits that that is no longer his song. I got a t-shirt which I will likely wear to bed until it falls apart, and a magnetic “Million Dollar Quartet” bottle opener on our fridge.
We have visited many places, and even New Orleans and Ireland did not have the high music content that we did in Nashville. One of my sisters-in-law said she was surprised to hear country music at the party, and the thing is; much of the music I love is at least country-adjacent, if not proper country. Listen to Robbie Fulks and tell me that’s not country, and we have tickets for him later in fall.
We went to the country Music Hall Of Fame, of course. Also the Musicians Hall of Fame, which is WAY less country oriented. And a fair number of the service people we met, they were in punk or noise or other kind of bands. Everyone we met, they were musicians….
Based on recommendations of our friends, we went to a place called the Station Inn. It is noted as the local musicians’ place to see other musicians, and once was a hangout for Bob Monroe. We saw Jon Byrd, and he admitted that he learned everything he knew about playing guitar and writing songs in Nashville; because there is no choice and the competition is fierce and stupendous. And, of course, he was one of the best shows I have ever paid 12 bucks for.
Because we know history is history, we knew we needed to see a show at the Ryman Auditorium, the original location of the Grand Ole Opry (you go see a show at the overdone theme park version, there is a circle of contrast wood that was stolen from the Ryman when they figured it was going to be torn down). Our choice was fish, as Rollins once said, so we went to see Lucero with Langhorne Slim opening up. It was good and for my part, I felt the resonance of the structure with the spirits of the past. They rocked kind of hard, and I felt the ghosts resonate with us….
But look at this; we had bunches of music in various forms, and while most were country, not all of them were. And being a music fed zombie, I took them all; in the museums, I saw guitars that were worn and played and part of the continuum. They all still vibrated with the energy of their players, fuck me if they didn’t. walking through the Musicians Hall of Fame was thick with remembrance….
And so there you have it it, we spent no end of time in country music bullshit one thing or another. Including RCA Studio B, which was instrumental in making artists…. but even with that , the musicians in the city still work their asses off to get to one or the other levels. Everyone in this goddam city plays or sings, and they all are working to be better or get another opening or chance….
And that, fellows and guinea pigs, is what I always say and shout out to you on an unrelenting basis. There is an unrelenting amount of music being produced by amazing bands at any different directions you ever have seen.
At the end of the day, and tomorrow too. There is a place for music.
But I bleed music. And I discovered that there is a City that, while they may not bleed music when cut, they certainly ooze music when squeezed.
And damnitall, and against all odds, I felt at home there……..
Thanks for using that quote. I first used it to describe Rafael, a guy I worked with in the South Bronx who taught me all about salsa and Latin Jazz- greats like Ray Barretto and Celia Cruz. It’s a description that suits you perfectly, old chum.