Fetch The Bolt Cutters

Posted: May 4, 2020 in Fridge Note, Music nobody listens to, Shovels

I have been very quiet on new music lately, mainly because I often get most of my inspiration by seeing live shows which obviously we are not doing anymore.  Last live show was They Might Be Giants, and that was pushing the edge of the social distancing directives.  We had tickets for Tame Impala, Mountain Goats, and Roger Waters; all shows that have been postponed.  As is Summerfest, and every other festival in the City Of Festivals.

But looking at my newly added playlists, I realized we have had an extremely impressive series of new music releases (does it mean anything to say ‘albums’ anymore?  Don’t care, it’s how I relate.)  Some of them are from social media alerts from the artists, some are from some music blog posts; but as usual, there is no mainstream venue for any of this music to reach anybody.  So, in that vein, here is an EXTREMELY non-mainstream venue…

First, up, is a new album from longtime retro-punks, X, Alphabetland.  It’s available on Bandcamp, and I actually haven’t listened to this one yet.  But it features the original lineup, including Billy Zoom.  I saw them last summer with Zoom on guitar and while he had to sit on a stool, he still smiled his way through and Exene had to maintain her pallor by performing an afternoon show with a parasol.  Billy Zoom still HAS IT. WOULD SEE AGAIN.

From the new frontier lines of music, is a punk alternate group called Daddy Issues, an all female group that has the MOST disrespectful version of Boys of Summer since Mojo Nixon did “Don henley Must Die”.

It hasn’t come out yet, not fully, but Jason Isbell’s new album “Reunions” is on the cusp, and has a few songs out for pre-release.  As ever, they are amazing songs, amazing musicians, and he is offering it cheap because he knows we don’t have a lot to spare these days.

We saw him and the 400 Unit last summer, and they were pretty awesome, even though his wife and violin player, Amanda Shires was not there.  Having seen him once with Drive By Truckers, I am there for him.

Speaking of which, the Drive By Truckers also have an amazing new album out, and they have discovered a new populist and leftist bent that is in full flower.  Songs like “Thoughts and Prayers”, “Babies in Cages”, “Grievance Merchants”, and “Thoughts and Prayers” have apparently upset the southern racists who loved when they talked about George Wallace.

What an amazing thing that were such a great band when Isbell was there, and after he left, THEY BOTH BECAME BETTER.  I feel gifted to have seen them in all iterations.  And really, when I saw them the first time at Summerfest, I just stopped by because I had heard one good things, but MAN the show was so good.

Here’s a more personal add.  A local singer, Tawny Newsome, who has played with an extremely extensive list of amazing people including Jon Langford ad Four Lost Souls.    I just found out that she has been cast in a Netflix comedy series, “Space Force” with Steve Carell on Netflix, out next month and the only problem I have is there is probably no place for her to sing.  Also, singing with her is Bethany Thomas who we have seen locally in Hairspray and Hedwig and her voice is able to stun.  I totally fanboyed her when I saw the Four Lost Souls.

 

Another favorite, Brian Fallon, has a new album out – Local Honey.  The amazingly inspiring of his early efforts with Gaslight Anthem; “I’d a called you Woody, joe” and “The  59 Sound” he knows he had to move out of the shadow of his inspiration and on his solo albums he is doing that.  I saw him with the Gaslight Anthem band, and it made me cry it did, but I have also seen him play solo and I understand what he is striving for.  His solo work is quieter and less anthemic, but is more introspective and personal reflective; he’s getting older, as we all do and and sometimes there are other things.

And amazingly the Boomtown Rats.  This is ridiculous.  When I was leaving my terrible high school life, my younger brother had a magazine that talked about how the Rats created frenzies at their show, and I said, that sounds kind of cool so I got a copy of Tonic for the Troops, and then went to college. At that point, Fine Art Of Surfacing came out, and in the cowtown land-grant college, that was just enough to label me as Punk.  Which I welcomed.  I Have loved this band for a long time.

But amazingly after 36 years, these idiots managed a new album.  Which is….not too bad, actually.  they mess around with some different styles and influence, sometimes successfully and some not, but it’s been decades, I can’t blame them.  If I had to make any comparison, it is most similar to their first album.  But…it’s still pretty damn good.  The Rats were always willing to present their experiments along with their more regular songs.

A local buddy, Deano Schlabowske, has been very active. One of the founders of the Waco Brothers, he has been doing a carousel as Rambin Deano, a punk rebel folk artist. We saw him do this at a recent Jon Langford show; but he has been doing much contact-less release of his music, and as a working class enthusiast he allows downloads, but just asks for donations.

https://deanschlabowskemusic.com/home

Since lockdown, he and his partner, Jo of the Meat Purveyors, have been doing online shows  he has released his third album of rebel folk music, with many of his friends, called Bad Luck Days, and his prior was Pills, Puppies, and Bacon. All lovely, and available at his website for the cost of what you might feel like donating.

Lucinda Williams has a new album, Good Souls Better Angels, which sounds as good as ever but I haven’t had time for a focused listen.

And finally, the release that gives this post a title.  Fiona Apple has a stellar new release, Fetch The Bolt Cutters.  I haven’t listened to Apple much, but based on a couple of reviews, I put this one on the drive, and… Well.  Every time one of the songs comes up on rando, I have to stop and check the artist and title.  The songs are arresting and demand attention.  Rapidly becoming one of my favorite albums of This Plague Year.   In addition to having one of my favorite titles ever.

 

Bad times are when we need art and music most of all, and judging by this batch, our musicians are stepping up in a big way.

Comments
  1. paleotectonics says:

    A.) FYWP

    2.) Your music writings are always quite lovely, and your taste eclectic. I’d also heard wonderful things about the Apple, and since I haven’t paid any notice to her since ‘Pawn’, I was going to did a bit of exploring.

  2. Mikey Hemlok says:

    I always get Lucinda Williams and Victoria Williams confused…

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